His peculiarity, his world view, that no one is above him or below him is really something that I am truly greateful for. One moment really sticks out to me. Ldquo;What are they doing? Rdquo; I asked,. Ldquo;They are selling crack for money.

I think of myself as a painter regardless of the medium I am working in. In my mind, a painter is a story teller, someone who imagines, projects and follows his curiosity. Media and techniques come and go but I never stop imagining. There is always the question, what if? And then I try it. There is a difference between process and technique. With George Woollard, Marry Philpotts, Kathy Merrill-Keely. I teach at the Honolulu Museum of Art School and give private lessons out of my studio in Honolulu.

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The Ridiculous and the Sublime. George Worthmore, a star in the New York City music scene for over twenty years, began with a one-year stint as a guitarist with Kinky Friedman. Hes played backup guitar for Bo Diddley, Ben E. King, Screamin Jay Hawkins, Lou Christy, and The Platters. He has also played shows as a second guitarist with Hot Tuna.